Nathalie Guimbretière
Design Researcher
Nathalie Guimbretière works at the intersection of design research, anthropology and STS (science and technology studies). She develops protean devices — installations, audiovisual performances, interactive systems, speculative objects — that question the boundaries between the living, the technical and the imaginary. Her current work focuses on creative and reflective processes between artists and scientists, within the fields of organic robotics, astrophysics and material culture.

She is currently a postdoctoral researcher at LESC (CNRS / Université Paris-Nanterre) within the PEPR Organic Robotics programme (ANR / France 2030), where she coordinates the Maison des Humanités Potentielles. She is also an associate researcher at the Centre de Recherche en Design (ENS Paris-Saclay / ENSCI), at the Institut d’Astrophysique Spatiale (CNRS / Paris-Saclay) and a member of the Chaire Espace (ENS Ulm – PSL).

Nathalie holds a doctorate in arts from Université Paul-Valéry Montpellier III (2022). She has exhibited and performed internationally — Berlin, Montréal, Reykjavík, New York, Conakry, Syracuse — and is supported by Stereolux (Nantes). Co-founder of the collective Pronaos (Paris).

Her work takes the form of publications in academic journals in design and STS (ACM CHI, Academic Mindtrek, Revue Plastir, À l’épreuve...), practice-based research experimental devices (Protolexique, Tribunal des technologies, Cinémathèque des imaginaires techniques), immersive and performative installations (Cosmic Utopia, Laboratoire Arianna, Hi-brides, Eidôlon).


Themes
Technical imaginaries and design trajectories
Design research and practice-based methodologies
Art-science collaborations
Soft robotics and hybrid materialities
Anthropology of techniques

Current research
Experimental Devices

Publications Conferences
Teaching

Portfolio
HAL

Email

Current Research
Morphogénèses techniques et écologies hybrides My research examines how the emergence of organic robotics — soft, biodegradable, bio-inspired materials — reconfigures the boundaries between the living and the technical. Working at the crossroads of design research, anthropology of techniques, and science & technology studies (STS), I investigate the imaginaries, practices, and vocabularies that arise when materials resist existing categories.

This work is grounded in ethnographic fieldwork conducted within French laboratories developing soft robotic systems. It combines practice-based research — the creation of experimental devices that function simultaneously as artworks, research tools, and speculative instruments — with theoretical inquiry into what I call “recalcitrant materialities”: emergent behaviours that escape the categories of control and autonomy.


PEPR Organic Robotics (O2R) Since 2025, I am a postdoctoral researcher within the PEPR Robotique Organique (ANR / France 2030), based at the Laboratoire d’Ethnologie et de Sociologie Comparative (LESC, UMR 7186 — CNRS / Université Paris-Nanterre). I coordinate the Maison des Humanités Potentielles, a platform that brings together researchers in robotics, biology, anthropology, design and art to explore the social, ethical, and aesthetic dimensions of organic robotics.

Workshops « Le dur, le souple, le weird » — Speculative exploration sessions on material thresholds in organic robotics, with roboticists, physicists, designers, artists and anthropologists (MSH Mondes / ENSCI)
Tribunal des technologies — A deliberative performance format substituting alternative criteria (repairability, hospitality, sustainability) for dominant ones (efficiency, performance, cost). First edition: March 2025, Lille. Second edition: March 2026, Paris.
Cinémathèque des machines — A curated corpus of industrial films, laboratory archives and demonstration videos (1950–2026), analysed through montage inspired by Aby Warburg's Atlas Mnemosyne. The collection reveals what these images show without intending to: background gestures, hesitations, failures cut during editing. 100 videos indexed, 3 critical video essays in preparation.
Cartographies des controverses — Mapping exercises tracing the actors, arguments and tensions surrounding organic robotics technologies. Following the tradition of controversy mapping (Latour, Venturini), these cartographies visualise how scientific claims, ethical concerns and imaginaries circulate and collide across disciplines.
Research Zines
— Short-format publications produced collectively during workshops and residencies. Mixing fieldwork notes, speculative drawings, participant contributions and theoretical fragments, the zines function as both research traces and dissemination tools — circulating beyond academic formats.
Artist residencies — Coordination of 6 residencies across 5 French laboratories, supporting artists working with soft robotics materials
Carnet Hypothèses — Maison des Humanités Potentielles: podcasts, methodological notes, workshop reports (mhp.hypotheses.org)


Research axes Hybrid materialities and weird temporalities — How do materials that are neither soft nor hard, neither living nor mechanical, challenge disciplinary categories?
Technical imaginaries and speculative fiction — How do contemporary fictions (solarpunk, cyberpunk, speculative design) participate in the construction of sociotechnical imaginaries?
Research-creation and practice-based research methodologies — How can artistic devices function as research tools, generating situated knowledge about technological phenomena?


Previous research coordination 2024: Co-pilot, CMA Design France 2030 AMI « Design & Conception pour les Transitions ». Coordination of the research axis and the prospective work « Anticipation ». National diagnostic: 19 universities, 19 design schools, 18 engineering programmes.
2023–2024: Co-chair and general coordinator, International Conference [AD•REC] Limit/No Limit (Paris, January 2024). First French conference dedicated to art and design research, commissioned by the Ministry of Culture. 300+ participants, 22 countries.

Research-Creation and Practice-Based Research - Experimental Devices

In a practice-based research approach, the following devices function simultaneously as methods of inquiry, sites of data production, and forms of publication. They contribute to the elaboration of situated knowledge about technical imaginaries.

ProtolexiqueAn evolving lexicon negotiated between roboticists, anthropologists, designers, and biologists. Each entry articulates a visual, a collective definition, disciplinary perspectives, contradictory citations, and a bibliography. The terms created — métaxytechne, xénomorphose, hylopsychisme — are conceptual tools for exploring the transformations of matter and the imaginaries linked to technological systems.
The device makes visible the frictions between disciplinary vocabularies and reveals zones of conceptual non-overlap between robotics, biology, and design.
Format: Web application (JavaScript/HTML), open source. 150 entries online.

Tribunal des technologiesA collective deliberative format. Rather than evaluating technologies through dominant criteria (efficiency, performance, cost), the Tribunal mobilises alternative criteria: repairability, hospitality, sustainability. Witnesses summoned: researchers, practitioners, users, objects. Figures of decentring: alien judges, advocates of the absent (future generations, extinct species, invisibilised workers).
Format: Deliberative performance with alien jury, sound recording and documentary film. The device generates data on the justification regimes mobilised in the face of emerging technologies.
First edition: March 2025, PEPR O2R annual conference, Lille. Publication: chapter in Technocritique(s) (2026).

Cinémathèque des imaginaires techniquesA corpus of industrial films, laboratory archives, and demonstration videos (1950–2026), indexed and analysed through montage inspired by Aby Warburg’s Atlas Mnemosyne. The interest lies in what these images show without intending to: backgrounds, operators’ gestures, hesitations, failures cut during editing. The montage produces visual hypotheses about continuities and ruptures in the imaginaries of robotics.
Status: 100 videos indexed (objective: 200). 3 critical video essays in preparation.

Design d’ethnofictionA crossing of ethnographic data and speculative narratives. From tensions observed in the field, the method constructs scenarios that amplify potentialities. Each ethnofiction is accompanied by objects belonging to the imagined world. These object-scenarios function as design probes: they provoke reactions, generate discussions, reveal presuppositions. Methodology inspired by speculative design (Dunne & Raby) and experimental ethnography (Marcus).
Current: Seminar « Prototype Stories » (ENS Paris-Saclay, ENSCI) since 2024. Studio ENSCI «Ethnofiction(s)» with A. Behar. 

Projet « Éthique du numérique » — Born SocialA programme on digital manipulation mechanisms, developed in collaboration with Le Cube (Garges-lès-Gonesse) and ENSCI. Workshops with young people from priority neighbourhoods, generating data on the representations of algorithms and AI among adolescents in contexts of precarity.
Status: Ongoing (2025). Publication: research report and article for Réseaux in preparation.

Publications
Journal articles (peer-reviewed)
Guimbretière, N. & Baudin, F. (2025). « Articulations art et science(s) : la matière comme territoire de dialogues plastiques ». Revue Plastir. [HAL]
Guimbretière, N. (2024). « Design of and with the ‘past’: How do phenomena such as erosion, breakdown and decay invite the surpassing of disciplinary knowledge silos? ». Adapt, Reuse, Special Issue. [HAL]
Guimbretière, N. (2018). « Dispositif interactif, jeu vidéo, installation et performance. Mouvement des images et gestes multiples ». Revue À l’épreuve, n°5. [HAL]

Book chapters Guimbretière, N. (2022). « Jeu vidéo, installation et performance : une manière de faire monde ? ». In Le jeu vidéo au carrefour de l’histoire, des arts et des médias. Lyon : École Émile Cohl / CRHI. [HAL]

Conference presentations Guimbretière, N. (2026). « Seuils critiques et topologies conceptuelles : pour une cartographie des technocritiques contemporaines ». In Technocritique(s), MSH Mondes.
Guimbretière, N. (2026). « Reverberating Materialities: how mediation devices echo and amplify the politics of organic robotics ». In 4S Annual Meeting, Seattle.
Guimbretière, N. (2026). « Radiant Nature — Entre matières vivantes et techniques ». In Radiant Futures 2025, Liège.
Guimbretière, N. (2026). « Entre ontologies fluctuantes et matérialités non-binaires ». In Les corps autres dans la BD, MSHS Poitiers.
Guimbretière, N. (2026). « Cartographies interstitielles dans les récits spéculatifs ». In Science-Friction, Dijon.
Guimbretière, N. (2026). « Objets possibles et narrations transitoires ». In Colloque Pierre Bayard, ENSCI.

Other Guimbretière, N. (2024). « Fictional, Speculative and Critical Futures ». Academic Mindtrek 2024, Tampere, Finland. [HAL]
Lepart, S. & Guimbretière, N. (2022). « LowSoRo – Low Tech and Soft Robotics workshop ». ACM CHI Conference, New Orleans. DOI: 10.1145/3491101 [HAL]
Guimbretière, N. (2019). « Hi-brides ». In Le cirque des humains et des animaux au travail, RIRRA21, Université Paul-Valéry Montpellier III. [HAL]

Doctoral thesis Guimbretière, N. (2022). L’atelier de l’artiste au XXIe siècle, un espace politique et idéologique. Enjeux, frictions et émancipations possibles pour des espace-temps variables. PhD in Arts, Université Paul-Valéry Montpellier III. Dir. Valérie Arrault.

Editorial & reviewing activities 2025: Reviewer, Cumulus Conference 2025 (Nantes)
2024–: Book reviewer, Design Research Society (DRS)
2022–: External reviewer, Dialectic (AIGA — American Institute of Graphic Arts)

Conferences & Presentations


International conferences
2025  Reverberating Materialities. 4S Annual Meeting, Seattle, September 2025.
2025  Hybrid materialities of organic robotics and speculative topologies. Radiant Futures 2025, Université de Liège, October 2025.
2025  Entre ontologies fluctuantes et matérialités non-binaires. Les Corps Autres dans la BD, MSHS Poitiers / Angoulême, October 2025.
2025  Cartographies interstitielles dans les récits spéculatifs. Science-Friction, Université Bourgogne Europe, Dijon, October 2025.
2025  Objets possibles et narrations transitoires. Colloque Pierre Bayard, ENSCI, Paris, December 2025.
2025  Seuils critiques et topologies conceptuelles. Technocritique(s), MSH Mondes, Nanterre, March 2025.
2024  Fictional, Speculative and Critical Futures. Academic Mindtrek 2024, Tampere, Finland.
2024  Empirical Ethics in Action. EASST/4S Joint Meeting, Amsterdam.
2022  Actuated Materials and Soft Robotics Strategies for HCI Design. ACM CHI, New Orleans.
2019  Hi-brides. Colloque international Le cirque des humains et des animaux au travail, Montpellier.
2018  Le rivage des ombres. Les écologies du numérique #2, ESAD Orléans.
2017  Les dispositifs interactifs, entre jeu et narration. OMNSH, Paris.


Workshops & seminars  2025  « Habiter les zones de transition ». Le dur, le souple, le weird #02, MSH Mondes.
 2025  « Neurocognition des processus de conception en design assistés par des outils d’IA générative». MODACT 2025, IPP / ENS Paris-Saclay (with S. Cheurfa, S. Lofti, P. Mavros).
 2025  « En souplesse – Soft Robotics, Art & Design ». EnsadLab, Paris.
 2024  Exhibition. Laboratoire d’Astrophysique de Bordeaux.
 2020  « Point et ligne, tracking et temps réel ». SACRe / ENS Paris-Saclay / CRD.
 2020  « Science x Design ». CRI, Paris.
 2018  « Interactivité, dispositifs en temps réel et jeu vidéo ». Geek & Game Festival, Sorbonne Nouvelle.
 2017  « Le détournement et le mashup dans le jeu vidéo ». Cycle Guy Debord, Montpellier.

Research disseminationCarnet Hypothèses « Maison des Humanités Potentielles » (2025–). Podcasts, methodological notes, workshop reports.   mhp.hypotheses.org

Teaching
Current positions ENSCI-Les Ateliers (since 2024) — Studio « Ethnofiction(s) » (with A. Behar); « Éthique et création »; « Savoirs-faire et bricolages »; « Histoire de la recherche en design »
ENS Paris-Saclay (since 2018) — Master Recherche en Design: research methodology, documentation, scientific writing. Workshop Low Tech. Supervision of Master 2 dissertations
Université Sorbonne Nouvelle (since 2023) — L3 Arts & médias: scenography, video, digital interactions for the stage

Previous IMT Atlantique (2021–2024) — Low Tech & Soft Robotics workshops; Video game & utopia workshop
ENS Paris-Saclay (2019–2021) — ATER, Département Design
Université Paul-Valéry Montpellier III and Université Sorbonne Nouvelle — Video mapping and digital interactions for the stage (Performing arts)

Pedagogical responsibilities 2019–2023: Co-direction of the Master 2 Recherche en Design, ENS Paris-Saclay
Regular member of diploma juries at ENSCI-Les Ateliers (since 2024) and ENS Paris-Saclay (since 2018)
Supervision and co-supervision of Master 2 dissertations (ENS Paris-Saclay)

Research-creation and Design-research oriented workshops (selected) 2025-: Le dur, le souple, le weird — MSH Mondes / ENSCI (with E. Grimaud, E. Ducourneau, J. Wacquez) - 6 sessions
2022 Hacking Natural-Cultural Systems — Matters of Activity, Humboldt-Universität zu Berlin
2022 Low Tech, Soft Robotic et Espace(s) — Stereolux / ESBANM, Nantes
2022 Actuated Materials and Soft Robotics for HCI Design — ACM CHI, New Orleans
2021  Laboratoire Arianna – Astrophysique et art — Stereolux / ESBANM, Nantes
2021  Reconnaissance faciale : des visages, des mondes — Chaire Arts & Sciences, Poitiers
2018  Research workshops — Montréal (Perte de Signal / SAT / StudioXX / UQAM)

Outreach with diverse audiences Workshops in prison settings (Maison d’arrêt d’Angers, Centre pénitentiaire de Bois d’Arcy)
Webdocumentary workshops with community centres (Angers, Nantes)
Born Social project with Le Cube, Garges-lès-Gonesse (2025)